Afghanistan was Indiana's first painting after witnessing the destruction of the World Trade Center on September 11, 2001. For this work he resurrected the format of his Confederacy series, changing the legend to read “Just as in the anatomy of man every planet / must have its hind part,” and placing Kabul in the center of the series of concentric rings. To a reporter at the time Indiana conceded that is was “a rather harsh statement. . . . There’s an aggressive note in our government and this is an aggressive painting.” [1]
[1] Nancy Garland, "Artistic Freedom—Maine Painters Turn Their Emotional Reactions to Sept. 11 into Works of Art," Bangor (Me.) Daily News, September 11, 2002, Suppl. p. 10.