[Brow] happens to be an homage to Max Ernst because frequently he used that blue disc in his paintings. But also I am thinking about Taliesin, which was Frank Lloyd Wright's studio, which I think is something like shining brow.
— Robert Indiana
Excerpt from Robert Indiana, Lecture in conjunction with the exhibition Wood Works: Constructions by Robert Indiana, Washington, D.C. May 3, 1984, Archives of American Art, Smithsonian Institution.