The Brooklyn Bridge, 1964. Photo: Courtesy of the Detroit Institute of Arts, Michigan; Artwork: © Morgan Art Foundation Ltd./Artists Rights Society (ARS), NY
Motion. Autos, Art, Architecture celebrated the artistic dimension of the automobile, linking it to the parallel worlds of painting, sculpture, architecture, photography and film. In this holistic approach, the exhibition challenged the separate silos of these disciplines and explored how they are visually and culturally linked together.
Robert Indiana's painting The Brooklyn Bridge (1964), and his serigraphs Decade: Autoportrait, 1960–1969 were included in the exhibition.